
Iranian Cinema in a Global Context by Peter Decherney
Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.-
Cinematic Emotion in Horror Films and Thrillers
- Social Connection through Film and Natural Environments
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The Woman's Film of the 1940s
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India's New Independent Cinema
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African Documentary Cinema
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Dalit Representation in Popular Hindi Cinema
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Cinema and the Dream of the Living Machine
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India’s Women Filmmakers in the Age of Netflix
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Narratives of Cultural Identity in Contemporary Arab Cinema
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Posthumanism, Cognition, and Cyborg Spectatorship
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Place and the Moving Image
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River Space in Contemporary Chinese Cinema
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The Disaster Film as Social Practice
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American and Chinese-Language Cinemas
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New Approaches to Cinematic Space
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Found Footage Horror Films
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Cosmopolitan Aspirations in Contemporary Cinema
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Cinema of/for the Anthropocene
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Eco-Teen Films
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Centring Women in Bollywood Biopics
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The Cinematic Eighteenth Century
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Animal Advocacy Documentaries in the Twenty-first Century
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Film Comedy and the American Dream
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The Other in Contemporary Migrant Cinema
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Hollywood Action Films and Spatial Theory
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Rashomon Effects
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Spectacle in Classical Cinemas
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Affect and Embodied Meaning in Animation
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Melancholy Emotion in Contemporary Cinema
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Film and the American Presidency
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Eco-Trauma Cinema
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Emotion in Animated Films
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Ecocinema in the City
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Film Text Analysis
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Cinema as Weather
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Surveillance in Asian Cinema
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American Documentary Filmmaking in the Digital Age
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Ageing Masculinities in Contemporary European and Anglophone Cinema
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American Masculinities in Contemporary Documentary Film
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Collective Trauma and the Psychology of Secrets in Transnational Film
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Indian Cinema Beyond Bollywood
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Hollywood Melodrama and the New Deal
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Postwar Renoir
"Highly original and timely, this book helps us understand Iranian cinema from many perspectivesThe authors in this volume don’t shy away from the most difficult questions that have arisen in the past few decades, and seek to complicate received discourses about Iranian film." -- Pardis Mahdavi, Pomona College, USA
Peter Decherney is Professor of Cinema Studies and English and Director of the Cinema Studies Program at the University of Pennsylvania. He is the author of Hollywood’s Copyright Wars: From Edison to the Internet and Hollywood and the Culture Elite: How the Movies Became American. Blake Atwood is an Assistant Professor in the Department of Middle Eastern Studies at the University of Texas at Austin. He is the coordinator of the Persian Language Program and an affiliate of the Program in Comparative Literature.
| SKU | Unavailable |
| ISBN 13 | 9781138779341 |
| ISBN 10 | 1138779342 |
| Title | Iranian Cinema in a Global Context |
| Author | Peter Decherney |
| Series | Routledge Advances In Film Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2014-09-09 |
| Number of pages | 258 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |









































