
Complete Stories by Ingeborg Bachmann
Ingeborg Bachmann’s short fiction – each piece a razor-sharp feminist masterpiece, as urgent as a confession – arrives here in full force. This major collection draws together all the stories Bachmann wrote over her lifetime, many appearing in English for the first time.
These are intensely charged tales of power and submission, obsession and shame, which play out in cliff-side hotels, red-lit bars and court trials in Vienna, Rome and Paris. Bachmann follows lonely lovers through their stifled quarrels and private cruelties, where intimacy becomes a prison, language a weapon, and guilt the very air women breathe. As they struggle to make room for their lives within the narrowing confines of 1950s and 60s society, Bachmann exposes the legacy of fascism, lurking so close to the surface.
An undisputed giant of German-language literature, Bachmann’s ‘vision is so original that the effect is like having a new letter of the alphabet’ (Guardian).
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Of Mice and Men
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The Great Gatsby
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A Month in the Country
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East of Eden
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Giovanni's Room
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In Cold Blood
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An Inspector Calls and Other Plays
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A Streetcar Named Desire
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Animal Farm
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Alone in Berlin
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Wide Sargasso Sea
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The Spy Who Came in from the Cold
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The Grapes of Wrath
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The Man in the High Castle
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On the Road
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Nineteen Eighty-Four
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One Flew Over the Cuckoo's Nest
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Lolita
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Brideshead Revisited
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The Haunting of Hill House
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We Have Always Lived in the Castle
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A Clockwork Orange
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Orientalism
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One Hundred Years of Solitude
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The Crucible
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Ways of Seeing
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Breakfast at Tiffany's
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Tokyo Express
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A Confederacy of Dunces
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Death of a Salesman
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The Wretched of the Earth
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Things Fall Apart
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The Lonely Londoners
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Dubliners
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Down and Out in Paris and London
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The Prime of Miss Jean Brodie
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The Night Manager
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Pedagogy of the Oppressed
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One Day in the Life of Ivan Denisovich
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The Myth of Sisyphus
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Mrs Dalloway
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Caliban and the Witch
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The Road to Wigan Pier
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Homage to Catalonia
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Ulysses
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The Go-between
Bachmann writes in a Cubist prose of sudden cutoffs and reconnections that is acute and moving. She manages to convey that women are playing out the Europe of their time and before their time. * New Yorker *
Bachmann’s voice is rare and strong-strong enough to transport us to a new domain of fiction. * Los Angeles Review of Books *
A portrait, in language, of female consciousness, truer than anything written since Sappho’s Fragment 31. -- Rachel Kushner
Ingeborg Bachmann (1926-1973) was author, poet and philosopher, writing short stories, radio plays, essays and a novel, Malina. Born in Austria to a Nazi party member, she rose to prominence in the 1950s with writing that grappled with the German language “after Auschwitz”. She was the constant subject of media attention for her celebrated writing, her social critique, and her famous affairs. She won all the major German and Austrian literary awards, including the prestigious Georg Buchner prize, and since her death she has been recognized as a significant influence on such writers as Günter Grass, Max Frisch, Christa Wolf, and Peter Handke. The annual Ingeborg Bachmann Prize is one of the most important awards for literature in German.
Philip Boehm (Translator)
Philip Boehm translates books and plays by German and Polish writers such as Herta Müller, Franz Kafka and Hanna Krall. He also works as a stage director and playwright.
Tess Lewis (Translator)
Tess Lewis is a writer and translator from French and German. Her translations include works by Walter Benjamin, Ingeborg Bachmann, Peter Handke, and Montaigne.
| SKU | Unavailable |
| ISBN 13 | 9780241837887 |
| Title | Complete Stories |
| Author | Ingeborg Bachmann |
| Series | Penguin Modern Classics |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Penguin Books Ltd |
| Year published | 2026-10-20 |
| Number of pages | 400 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |













































