Critical Exchange by Juliet Simpson
This collection examines the development of art criticism across Russia and Western Europe in the eighteenth and nineteenth centuries. Art criticism articulated local ideas about functions of art but, more importantly, it also became one of the most responsive fields in which a larger, transnational European exchange of ideas about the role of critical discourse could take place. Art criticism of this period was also rich in rhetorical strategies and textual diversity.International contributors to this volume, who include art historians, cultural historians, and specialists in critical and philosophical discourse, examine the emergence of art critical discourse in a variety of cultural and geo-political contexts.
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William Morris in the Twenty-First Century
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Documentary Graphic Novels and Social Realism
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The Exhibit in the Text
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Light That Dances in the Mind
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Ford Madox Ford
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Natasha's Dress
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Will the Modernist
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The Hand of the Interpreter
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Collecting and Appreciating
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Dante in the Nineteenth Century
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Sleeping Beauties in Victorian Britain
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What is a Woman to Do?
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Showcase Britain
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Victorian Love Letters in Literature and Art
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Contemplations of the Spiritual in Art
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Strange Sisters
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Writing Art
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Networks of Stone
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The Poetics of Sight
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The Germ
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Immaterial Culture
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Roger Fry's 'Difficult and Uncertain Science'
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Behind the Image
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Performativity in the Gallery
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Transits
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Aesthetic Rivalries
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Mediality of Smells / Médialité des odeurs
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Pre-Raphaelites in the Spirit World
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Roman Shakespeare
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Dancing with Time
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Spatial Perspectives
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Water and Women in the Victorian Imagination
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Pre-Raphaelite Sisters
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The Paradigm Case
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Internationalism and the Arts in Britain and Europe at the "Fin de Siècle"
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Phenomenology, Modernism and Beyond
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The Colours of the Past in Victorian England
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InHabit
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Genteel Mavericks
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Visuality and Spatiality in Virginia Woolf's Fiction
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Pierre Klossowski
«With its Franco-Russian polarity, this adventurous collection opens perspectives in nineteenth-century art criticism, provoking challenging ideas about nineteenth-century art writing across languages, economics and polemic» (Richard Thomson, Watson Gordon Professor of Fine Art, University of Edinburgh)
The Editors: Carol Adlam is Senior Lecturer in Russian at the University of Exeter. She is a specialist in nineteenth-century Russian art history, and late twentieth-century Russian literature and critical theory.
Juliet Simpson is Professor of Art History and Visual Culture at the School of Arts and Media, Buckinghamshire New University. She is a specialist in nineteenth-century and early twentieth-century French art history, visual culture and art criticism.
Juliet Simpson is Professor of Art History and Visual Culture at the School of Arts and Media, Buckinghamshire New University. She is a specialist in nineteenth-century and early twentieth-century French art history, visual culture and art criticism.
| SKU | Unavailable |
| ISBN 13 | 9783039115563 |
| ISBN 10 | 3039115561 |
| Title | Critical Exchange |
| Author | J Barrie Bullen |
| Series | Cultural Interactions: Studies In The Relationship Between The Arts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Verlag Peter Lang |
| Year published | 2009-01-07 |
| Number of pages | 424 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |