The Germ by Paola Spinozzi
Aims to explain why claims about the autonomy and interrelatedness of the arts, expressed in the form of a provocative monthly journal, proved so influential as to be a source of inspiration for the Oxford and Cambridge Magazine, The Century Guild Hobby Horse, The Yellow Book, The Savoy, and even for Modernist periodicals.-
William Morris in the Twenty-First Century
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Documentary Graphic Novels and Social Realism
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The Exhibit in the Text
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Light That Dances in the Mind
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Ford Madox Ford
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Natasha's Dress
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Will the Modernist
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The Hand of the Interpreter
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Collecting and Appreciating
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Dante in the Nineteenth Century
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Sleeping Beauties in Victorian Britain
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Critical Exchange
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What is a Woman to Do?
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Showcase Britain
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Victorian Love Letters in Literature and Art
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Contemplations of the Spiritual in Art
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Strange Sisters
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Writing Art
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Networks of Stone
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The Poetics of Sight
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Immaterial Culture
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Roger Fry's 'Difficult and Uncertain Science'
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Behind the Image
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Performativity in the Gallery
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Transits
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Aesthetic Rivalries
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Mediality of Smells / Médialité des odeurs
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Pre-Raphaelites in the Spirit World
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Roman Shakespeare
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Dancing with Time
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Spatial Perspectives
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Water and Women in the Victorian Imagination
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Pre-Raphaelite Sisters
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The Paradigm Case
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Internationalism and the Arts in Britain and Europe at the "Fin de Siècle"
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Phenomenology, Modernism and Beyond
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The Colours of the Past in Victorian England
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InHabit
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Genteel Mavericks
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Visuality and Spatiality in Virginia Woolf's Fiction
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Pierre Klossowski
«In their fresh reassessment of ‘The Germ’, its ambitions, its paradoxes, and its self-reflexivity, the authors provide a useful literary and critical addition to the recent inclusion of Pre-Raphaelitism within the broader context of European Avant-gardes [..].» (Béatrice Laurent, Cahiers victoriens et édouardiens 79, 2014)
Paola Spinozzi is Senior Lecturer in English Literature at the University of Ferrara. Her research includes an investigation of ekphrasis, illustration, and calligraphy in the work of William Morris, D. G. Rossetti, Walter Crane, and A. S. Byatt as well as a comparative study of scientific and creative writing. She is the author of Sopra il reale. Osmosi interartistiche nel Preraffaellitismo e nel Simbolismo inglese (2005) and the co-editor of Origins as a Paradigm in the Sciences and in the Humanities (2010) and Discourses and Narrations in the Biosciences (2011).
Elisa Bizzotto is Lecturer in English Literature at IUAV University of Venice. Her main research focuses on Victorian and late Victorian literature and culture, and she has written extensively on Walter Pater, Oscar Wilde, Vernon Lee, Aubrey Beardsley, and fin-de-siècle culture. She is the author of La mano e l’anima. Il ritratto immaginario fin de siècle (2001) and co-edited, with Paola Spinozzi, the first Italian edition of The Germ (2008).
Elisa Bizzotto is Lecturer in English Literature at IUAV University of Venice. Her main research focuses on Victorian and late Victorian literature and culture, and she has written extensively on Walter Pater, Oscar Wilde, Vernon Lee, Aubrey Beardsley, and fin-de-siècle culture. She is the author of La mano e l’anima. Il ritratto immaginario fin de siècle (2001) and co-edited, with Paola Spinozzi, the first Italian edition of The Germ (2008).
| SKU | Unavailable |
| ISBN 13 | 9783034302982 |
| ISBN 10 | 3034302983 |
| Title | The Germ |
| Author | Paola Spinozzi |
| Series | Cultural Interactions: Studies In The Relationship Between The Arts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| Year published | 2012-06-13 |
| Number of pages | 284 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |