
The Evolution of the Image by Marco Bohr
This volume addresses the evolution of the visual in digital communities, offering a multidisciplinary discussion of the ways in which images are circulated in digital communities, the meanings which are attached to them and the implications they have on notions of identity, memory, gender, cultural belonging and political action.-
Contemporary Artists Working Outside the City
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Contemporary British Ceramics and the Influence of Sculpture
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Arts-Based Methods for Decolonising Participatory Research
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Installation Art and the Practices of Archivalism
- Postmodernism and Video Art
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Intermedial Art Practices as Cultural Resilience
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The Artist-Philosopher in the Age of Addiction
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Aesthetics, Gender, and Disability in Interactive Digital Art and Performance Art
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Place-As-Medium and New Grounds for Thinking in Contemporary Art
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Caribbean and Latinx Street Art in Miami
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The Aesthetics of Image and Cultural Form
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Methodologies for Graffiti and Street Art Research
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On Not Looking
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What Drawing and Painting Really Mean
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Gestures of Seeing in Film, Video and Drawing
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Spiritual Art and Art Education
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Genealogy and Ontology of the Western Image and its Digital Future
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Manga's Cultural Crossroads
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The Uses of Art in Public Space
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Cultural Approaches to Disgust and the Visceral
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The Artist-Philosopher and Poetic Hermeneutics
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Posthuman and Nonhuman Entanglements in Contemporary Art and the Body
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Changing Representations of Nature and the City
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Urbanization and Contemporary Chinese Art
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Art in the Asia-Pacific
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Contemporary Art and Capitalist Modernization
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The Contemporary Art Scene in Syria
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Visual Culture and the Forensic
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Contemporary Art and Disability Studies
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Meanings of Abstract Art
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Representations of Pain in Art and Visual Culture
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Ethics and Images of Pain
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Performing Beauty in Participatory Art and Culture
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Bridging Communities through Socially Engaged Art
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W.J.T. Mitchell's Image Theory
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Play and Participation in Contemporary Arts Practices
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Mobility and Fantasy in Visual Culture
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Abstract Painting and the Minimalist Critiques
Marco Bohr is the Postgraduate Programme Director for the Arts at Loughborough University, UK. Marco has contributed to a number of edited volumes such as The Contemporary Visual Studies Reader, Frontiers of Screen History, On Perfection and Films on Ice: Cinemas of the Arctic, as well as the book series Directory of World Cinema and the book series World Film Locations.
Basia Sliwinska is a Senior Lecturer in Cultural and Historical Studies at the University of the Arts London, UK. Her research is situated within feminist art history and critical theory and focuses on concepts of the body, activism, gender and citizenship within contemporary women’s art practice. Recent publications include: the book The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland (I.B. Tauris, 2016); the co-edited (with Dr Marco Bohr) chapter ‘Edge Effect: New Image Formations and Politics of Identity’ (in Mediated Intimacies, Routledge, 2017); and the co-edited special issue of Third Text: ‘Trans-figurations: Transnational Perspectives on Domestic Spaces’ (2016).
| SKU | Unavailable |
| ISBN 13 | 9780367592202 |
| ISBN 10 | 0367592207 |
| Title | The Evolution of the Image |
| Author | Marco Bohr |
| Series | Routledge Advances In Art And Visual Studies |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2020-08-14 |
| Number of pages | 154 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




































