What Drawing and Painting Really Mean by Paul Crowther
Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.-
Contemporary Artists Working Outside the City
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Contemporary British Ceramics and the Influence of Sculpture
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Arts-Based Methods for Decolonising Participatory Research
- Art and Oceanic Climate Change
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Installation Art and the Practices of Archivalism
- Postmodernism and Video Art
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Intermedial Art Practices as Cultural Resilience
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The Artist-Philosopher in the Age of Addiction
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Aesthetics, Gender, and Disability in Interactive Digital Art and Performance Art
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Place-As-Medium and New Grounds for Thinking in Contemporary Art
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Caribbean and Latinx Street Art in Miami
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The Aesthetics of Image and Cultural Form
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Methodologies for Graffiti and Street Art Research
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On Not Looking
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Gestures of Seeing in Film, Video and Drawing
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Spiritual Art and Art Education
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Genealogy and Ontology of the Western Image and its Digital Future
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Manga's Cultural Crossroads
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The Uses of Art in Public Space
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Cultural Approaches to Disgust and the Visceral
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The Artist-Philosopher and Poetic Hermeneutics
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Posthuman and Nonhuman Entanglements in Contemporary Art and the Body
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Changing Representations of Nature and the City
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The Evolution of the Image
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Urbanization and Contemporary Chinese Art
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Art in the Asia-Pacific
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Contemporary Art and Capitalist Modernization
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The Contemporary Art Scene in Syria
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Visual Culture and the Forensic
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Contemporary Art and Disability Studies
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Meanings of Abstract Art
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Representations of Pain in Art and Visual Culture
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Ethics and Images of Pain
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Performing Beauty in Participatory Art and Culture
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Bridging Communities through Socially Engaged Art
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W.J.T. Mitchell's Image Theory
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Play and Participation in Contemporary Arts Practices
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Mobility and Fantasy in Visual Culture
"..The book makes a welcome contribution to the philosophy of the visual arts, offering a much-needed theoretical alternative to continental philosophy for practice-based doctoral theses. ...Overall, the book is a timely contribution which responds to growing interest within the field."
- Journal of Visual Art Practice
Paul Crowther is Professor Emeritus of Philosophy at the National University of Ireland, Galway. He was formerly Reader in Aesthetics and the History of Art at Oxford University. Of his many monographs, the most recent is How Pictures Complete Us: The Beautiful, the Sublime, and the Divine.
| SKU | Unavailable |
| ISBN 13 | 9781138232662 |
| ISBN 10 | 1138232661 |
| Title | What Drawing and Painting Really Mean |
| Author | Paul Crowther |
| Series | Routledge Advances In Art And Visual Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2017-05-03 |
| Number of pages | 188 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |