
Gothic Utterance by Jimmy Packham
The Gothic has always been interested in strange utterances and unsettling voices: from half-heard ghostly murmurings and the admonitions of the dead, to the terrible cries of the monstrous nonhuman. Gothic Utterance offers the first book-length study of the role such voices play in the Gothic tradition, exploring their prominence and importance in the American literature produced between the Revolutionary War and the close of the nineteenth century. This book argues that the American Gothic foregrounds the overpowering affect and distressing significations of the voices of the dead, dying, abjected, marginalised or nonhuman, in order to undertake a sustained interrogation of what it means to be and speak as an American in this period. The American Gothic imagines new forms of relation between speaking subjects, positing more inclusive and expansive forms of community. Gothic Utterance also emphasises the ethical demands attending our encounters with Gothic voices: the Gothic suggests that how we choose to hear and respond to these voices says much about our relationship with the world around us, its inhabitants - dead or otherwise - and the limits of our own subjectivity and empathy.-
History of the Gothic: American Gothic
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History of the Gothic: Gothic Literature 1764-1824
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The Queer Uncanny
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History of the Gothic: Gothic Literature 1825-1914
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Welsh Gothic
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Queer Others in Victorian Gothic
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History of the Gothic: Twentieth-Century Gothic
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Romantic Medicine and the Gothic Imagination
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Theological Monsters
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Postcolonial Gothic Fictions from the Caribbean, Canada, Australia and New Zealand
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The Gothic Ideology
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Metamodern Gothic
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Women's Authorship and the Early Gothic
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Gothic Literary Travel and Tourism
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Servants and the Gothic, 1764-1831
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American Gothic Art and Architecture in the Age of Romantic Literature
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The Gothic and the Carnivalesque in American Culture
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South African Gothic
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Women's Ghost Literature in Nineteenth-Century Britain
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Posthuman Gothic
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Wilkie Collins, Medicine and the Gothic
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Body Gothic
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The Twilight of the Gothic?
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The Fantastic and European Gothic
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Gothic Invasions
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Stephen King's Gothic
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The Gothic and Catholicism
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Republicanism and the American Gothic
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Shakespearean Gothic
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George Eliot and the Gothic Novel
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Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797-1830
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Gothic Metaphysics
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The Nature of the Beast
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Gothic Contemporaries
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Gothic Remains
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The Brontës as Gothic Writers
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The Gothic at War
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Gothic Metis
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Gothic Precarity
"Articulately and elegantly written, the force of this groundbreaking book goes in two directionsIt reflects powerfully on the role of utterances, voices, and sounds of all kinds in the Gothic; and it develops a strong argument about the centrality of vocal utterance to the development and establishment of American cultural self-conception." --David Punter, University of Bristol -- David Punter, University of Bristol * University of Wales Press *
"With its fascinating focus on ventriloquism and unintelligible speech, animal noises, and other types of sound, Jimmy Packham’s Gothic Utterance issues a clarion call to attend to the neglected roles of voice and sound in American Gothic and the Gothic more broadly. Researchers into the Gothic will want to listen carefully to what it has to say!" --Jeffrey Andrew Weinstock, Central Michigan University -- Jeffrey Andrew Weinstock, Central Michigan University * University of Wales Press *
"The Gothic is always telling people something they don’t want to hear: our consciences can’t be killed; past sins, our own or our ancestors’, will ultimately be revealed; and we’re generally not who we think we are. In Gothic Utterance: Voice, Speech, and Death in the American Gothic, Jimmy Packham demonstrates how frequently, in US fiction of the long nineteenth century, the Gothic literally speaks, through the voices of the dead, the undead, and the dying, as well as the traumatized, the outcast, the nonhuman, and the wilderness. . . . a fresh rereading of a wide swath of nineteenth-century American texts." * American Literary History *
"With its fascinating focus on ventriloquism and unintelligible speech, animal noises, and other types of sound, Jimmy Packham’s Gothic Utterance issues a clarion call to attend to the neglected roles of voice and sound in American Gothic and the Gothic more broadly. Researchers into the Gothic will want to listen carefully to what it has to say!" --Jeffrey Andrew Weinstock, Central Michigan University -- Jeffrey Andrew Weinstock, Central Michigan University * University of Wales Press *
"The Gothic is always telling people something they don’t want to hear: our consciences can’t be killed; past sins, our own or our ancestors’, will ultimately be revealed; and we’re generally not who we think we are. In Gothic Utterance: Voice, Speech, and Death in the American Gothic, Jimmy Packham demonstrates how frequently, in US fiction of the long nineteenth century, the Gothic literally speaks, through the voices of the dead, the undead, and the dying, as well as the traumatized, the outcast, the nonhuman, and the wilderness. . . . a fresh rereading of a wide swath of nineteenth-century American texts." * American Literary History *
Jimmy Packham is Lecturer in North American Literature at the University of Birmingham.
| SKU | Unavailable |
| ISBN 13 | 9781786837547 |
| ISBN 10 | 1786837544 |
| Title | Gothic Utterance |
| Author | Jimmy Packham |
| Series | Gothic Literary Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | University of Wales Press |
| Year published | 2021-06-15 |
| Number of pages | 256 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






































