
Let Jasmine Rain Down by Kay Kaufman Shelemay
When Jews left Aleppo, Syria, in the early-20th century and established communities abroad, they carried with them a repertory of songs (pizmonim) with sacred Hebrew texts set to melodies borrrowed from the popular Middle Eastern Arab musical tradition. This text tells the story of the "pizmonim" as they have continued to be composed, performed and transformed through the present day; it is thus an ethnography of an important Judeo-Arabic musical tradition that contributes to studies of the link between collective memory and popular culture. Kay Kaufman Shelemay views the intersection of music, individual remembrances and collective memory through the "pizmonim". Reconstructing a century of "pizmonim" history in America based on research in New York, Mexico and Israel, she explains how verbal and musical memories are embedded in individual songs and how these songs perform both what has been remembered and what otherwise would have been forgotten. In confronting issues of identity and meaning in a postmodern world, Shelemay moves ethnomusicology in to the domain of memory studies.-
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Music as Social Life
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"The Voice of Egypt"
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Music, Culture, and Experience
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Comparative Musicology and Anthropology of Music
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Music, Race, and Nation
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Music and Gender
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Song Walking
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Making It Up Together
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Engendering Song
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Governing Sound
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P'ungmul
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The Republic of Love
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Erotic Triangles
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May It Fill Your Soul
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D'Albuquerque's Children
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Voices of the Magi
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Knowing Music, Making Music
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Rituals of Fertility and the Sacrifice of Desire
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In the Course of Performance
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Sardinian Chronicles
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On Concepts and Classifications of Musical Instruments
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Kwaito's Promise
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Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
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Stambeli
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The Lost Paradise
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Awakening Spaces
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Theory of African Music, Volume I
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Theory of African Music, Volume II
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Music of Death and New Creation
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Music and the Racial Imagination
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Saying Something
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Moving Away from Silence
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A Day for the Hunter, a Day for the Prey
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Jazz Worlds/World Jazz
Shelemay, Kay Kaufman: - Kay Kaufman Shelemay (Ph.D., University of Michigan) is G. Gordon Watts Professor of Music at Harvard University and has taught at Columbia, NYU, and Wesleyan. A Fellow of the American Academy of the Arts and Sciences and the American Philosophical Society, she is a Past President of the Society for Ethnomusicology. She has received fellowships from numerous institutions, including the Guggenheim Foundation and the National Endowment for the Humanities. Shelemay's research interests include musical ethnography, music and memory, and Ethiopian music and musicians in their North American diaspora. She is the author of nine books and editions, including Music, Ritual, and Falasha History, which won the ASCAP-Deems Taylor Award and the Prize of the International Musicological Society. An outstanding teacher, Shelemay received an Award for Distinguished Teaching from the Columbia University School of General Studies in 1982, the Joseph R. Levenson Memorial Teaching Prize and the Phi Beta Kappa Teaching Prize at Harvard in 2006, and, in 2014, the Everett Mendelsohn Excellence in Mentoring Award at Harvard. In 2014, Shelemay was elected an Associate Fellow of the Ethiopian Academy of Sciences.
| SKU | Unavailable |
| ISBN 13 | 9780226752129 |
| ISBN 10 | 0226752127 |
| Title | Let Jasmine Rain Down |
| Author | Kay Kaufman Shelemay |
| Series | Chicago Studies In Ethnomusicology Cse |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | University Of Chicago Press |
| Year published | 1998-12-01 |
| Number of pages | 310 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |


































