
Saying Something by Ingrid Monson
This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about saying something through music in a way that articulates identity, politics, and culture. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has interactiveness at its core: in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century African-American and American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.-
Thinking in Jazz
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Music as Social Life
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"The Voice of Egypt"
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Music, Culture, and Experience
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Comparative Musicology and Anthropology of Music
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Music, Race, and Nation
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Music and Gender
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Song Walking
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Making It Up Together
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Engendering Song
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Governing Sound
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P'ungmul
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The Republic of Love
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Erotic Triangles
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May It Fill Your Soul
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D'Albuquerque's Children
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Voices of the Magi
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Knowing Music, Making Music
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Rituals of Fertility and the Sacrifice of Desire
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In the Course of Performance
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Sardinian Chronicles
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On Concepts and Classifications of Musical Instruments
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Kwaito's Promise
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Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
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Stambeli
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The Lost Paradise
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Awakening Spaces
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Theory of African Music, Volume I
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Theory of African Music, Volume II
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Music of Death and New Creation
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Music and the Racial Imagination
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Moving Away from Silence
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A Day for the Hunter, a Day for the Prey
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Jazz Worlds/World Jazz
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Let Jasmine Rain Down
Ingrid Monson is Quincy Jones Professor of African American Music at Harvard University. She won the Sonneck Society's 1998 Irving Lowens Prize for the best book in American music for her 1996 Saying Something, Jazz Improvisation and Interaction. She was also a founding member of the nationally known Klezmer Conservatory Band, and plays trumpet with jazz and salsa bands. Monson previously was Associate Professor of Music at Washington University in St. Louis, and has taught at the University of Michigan, Harvard (as Visiting Professor), and University of Chicago. She has a Ph.D. and an M.A. in Musicology from NYU, and a B.M. from New England Conservatory. Monson is currently working on two books: one on the impact of the Civil Rights Movement and African Independence on the history of jazz, and one on the musics of the African Diaspora.
| SKU | Unavailable |
| ISBN 13 | 9780226534770 |
| ISBN 10 | 0226534774 |
| Title | Saying Something |
| Author | Ingrid Monson |
| Series | Chicago Studies In Ethnomusicology Cse |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | The University of Chicago Press |
| Year published | 1997-03-29 |
| Number of pages | 261 |
| Prizes | Winner of Sonneck Society for American Music Irving Lowens Prize 1997 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |


































