
Performance Across Chinese Borders by Wei Zhang
This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.
Revealing the dynamic interweaving of cultures between China and its neighbors from the time of the ancient Silk Road to modern times, the book demonstrates how such interweaving has been reflected and embodied in the performance forms and genres of East, South, and Southeast Asia. Through individual explorations of the artistic expressions in these Asian countries, the book reveals the transformative impact of the dissemination and interfusion of religion, beliefs, and cultural practices on the development of performance arts/genres in Asia. The book effectively displays how this robust interfusion across borders left a profound and indelible imprint on the various forms of artistic expression.
Representing a succinct analysis of the thousands of years of intercultural cross-fertilization and diffusion across borders of the performing arts in Asia, this book makes an important contribution to transcultural studies in theatre, dance, performance, literature.
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Transnational Cultural Flows within the Collaborative Chinese Cultural Basin
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China’s “Autonomous” Cities
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New Confucianism in Twenty-First Century China
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Looking for Work in Post-Socialist China
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State-Led Privatization in China
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Emissions, Pollutants and Environmental Policy in China
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HIV/AIDS in China - The Economic and Social Determinants
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The Economic Roots of the Umbrella Movement in Hong Kong
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The Lahu Minority in Southwest China
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Queer Sinophone Cultures
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Television Regulation and Media Policy in China
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Human Security and the Chinese State
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International Human Resource Management in Chinese Multinationals
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Nationalism, Democracy and National Integration in China
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Sensing China
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Ancestor Worship in the Diaspora Chinese and China Universes
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Understanding China
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Modernization in Eastern Tibet
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Heritage, Homemaking, and Identity Formation in Migrant Workers
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Tianxia and Its Discontents
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A History of Chinese Orchestras in Greater China
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City Branding in Chinese Megacity Regions
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The Chinese Censorship Discourse on Television Dramas
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Rethinking the Occupy Movement in Hong Kong
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Perspectives on Plagiarism in China
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Hui Muslims in the Shaping of Modern China
- Urban Aesthetics in China
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China's Climate-Energy Policy
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Globalization and Welfare Restructuring in China
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Modern Art for a Modern China
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Disability Policy in China
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State-Market Interactions in China's Reform Era
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Innovative and Creative Industries in Hong Kong
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Teacher Management in China
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Religion and Ecological Sustainability in China
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China's Peasant Agriculture and Rural Society
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Inside the Expressive Culture of Chinese Women's Mosques
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Chinese Educated Youth Literature
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China's Approach to Central Asia
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Chinese Entrepreneurs Between Power and Dependency
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Youth Economy, Crisis, and Reinvention in Twenty-First-Century China
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Negative Incentives and Disciplinary Action in China’s Food Safety Regulation
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The Reception and Rendition of Freud in China
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Cultural Bifocals on Chinese TV Series and Diaspora Fiction
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Exploring China's Religious Sites
Wei Zhang is Professor at Hangzhou Normal University. She is the author of Chinese Adaptations of Brecht: Appropriation and Intertextuality (2020). Her research has been published in Theatre Research International, Asian Theatre Journal, Comparative Drama, Classical Receptions Journal, and many other journals.
| SKU | Unavailable |
| ISBN 13 | 9781032595283 |
| ISBN 10 | 1032595280 |
| Title | Performance Across Chinese Borders |
| Author | Wei Zhang |
| Series | Routledge Contemporary China Series |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2026-05-21 |
| Number of pages | 200 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































