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Queer Sinophone Cultures by Howard Chiang
The Sinophone framework emphasises the diversity of Chinese-speaking communities and cultures, and seeks to move beyond a binary model of China and the West. Indeed, this strikingly resembles attempts within the queer studies movement to challenge the dimorphisms of sex and gender.
Bringing together two areas of study that tend to be marginalised within their home disciplines Queer Sinophone Cultures innovatively advances both Sinophone studies and queer studies. It not only examines film and literature from Mainland China but expands its scope to encompass the underrepresented ‘Sinophone’ world at large (in this case Taiwan, Hong Kong, Malaysia, Singapore, and beyond). Further, where queer studies in the U.S., Europe, and Australia often ignore non-Western cultural phenomena, this book focuses squarely on Sinophone queerness, providing fresh critical analyses of a range of topics from works by the famous director Tsai Ming-Liang to the history of same-sex soft-core pornography made by the renowned Shaw Brothers Studios.
By instigating a dialogue between Sinophone studies and queer studies, this book will have broad appeal to students and scholars of modern and contemporary China studies, particularly to those interested in film, literature, media, and performance. It will also be of great interest to those interested in queer studies more broadly.
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Transnational Cultural Flows within the Collaborative Chinese Cultural Basin
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China’s “Autonomous” Cities
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New Confucianism in Twenty-First Century China
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Looking for Work in Post-Socialist China
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State-Led Privatization in China
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Emissions, Pollutants and Environmental Policy in China
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HIV/AIDS in China - The Economic and Social Determinants
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The Economic Roots of the Umbrella Movement in Hong Kong
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The Lahu Minority in Southwest China
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Television Regulation and Media Policy in China
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Human Security and the Chinese State
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International Human Resource Management in Chinese Multinationals
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Nationalism, Democracy and National Integration in China
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Sensing China
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Ancestor Worship in the Diaspora Chinese and China Universes
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Understanding China
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Modernization in Eastern Tibet
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Heritage, Homemaking, and Identity Formation in Migrant Workers
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Tianxia and Its Discontents
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A History of Chinese Orchestras in Greater China
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City Branding in Chinese Megacity Regions
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The Chinese Censorship Discourse on Television Dramas
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Rethinking the Occupy Movement in Hong Kong
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Perspectives on Plagiarism in China
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Hui Muslims in the Shaping of Modern China
- Urban Aesthetics in China
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China's Climate-Energy Policy
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Globalization and Welfare Restructuring in China
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Modern Art for a Modern China
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Disability Policy in China
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State-Market Interactions in China's Reform Era
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Innovative and Creative Industries in Hong Kong
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Teacher Management in China
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Religion and Ecological Sustainability in China
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China's Peasant Agriculture and Rural Society
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Inside the Expressive Culture of Chinese Women's Mosques
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Chinese Educated Youth Literature
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Performance Across Chinese Borders
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China's Approach to Central Asia
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Chinese Entrepreneurs Between Power and Dependency
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Youth Economy, Crisis, and Reinvention in Twenty-First-Century China
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Negative Incentives and Disciplinary Action in China’s Food Safety Regulation
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The Reception and Rendition of Freud in China
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Cultural Bifocals on Chinese TV Series and Diaspora Fiction
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Exploring China's Religious Sites
This provocative collection seeks to exfoliate the layers that have bundled Chinese Studies within the strictures of traditional area studiesLooking to transnational routes and roots, the contributors elegantly deploy a "queer Sinophonic" framework that refuses geographic and conceptual limits to understanding the conjunctions and intersections of wayward bodies, intimacies, and attachments as these are produced in film, literature and other cultural genres. Traipsing various sites and contexts of the Sinophone world, from Singapore to Hong Kong to Taiwan and beyond, the essays in this expansive collection de-essentialize Chineseness and queer by circumventing the traps and tribulations of antipodal dualities such as China and its diasporas.
Martin F. Manalansan IV, Global Divas: Filipino Gay Men in the Diaspora
This impressive anthology brings queer theory and Sinophone studies into a critically challenging and mutually transformative conjuncture. Showcasing an eclectic range of scholarship that is historically nuanced, theoretically adventurous and globally aware, the book demonstrates that the vital projects to, respectively, "deprovincialize china" and "reroute the geopolitics of desire" not only go hand in hand but inform each other in the most thoughtful and provocative way. This book stands at the forefront of a vibrant new field and should be read by anyone who is interested in pushing the boundaries of sexuality studies and Asian studies.
Helen Hok-Sze Leung, Undercurrents: Queer Culture and Postcolonial Hong Kong
Howard Chiang is Assistant Professor in the Department of History at the University of Warwick, UK.
Ari Larissa Heinrich is Associate Professor in the Department of Literature at the University of California, San Diego, USA.
| SKU | Unavailable |
| ISBN 13 | 9780815371175 |
| ISBN 10 | 0815371179 |
| Title | Queer Sinophone Cultures |
| Author | Howard Chiang |
| Series | Routledge Contemporary China Series |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2017-10-23 |
| Number of pages | 236 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































