Where the Words Are Valid by Randy Malamud
To understand Eliot's weighty contribution to the pantheon of modernism, one must take account of his dramatic career. Where the Words Are Valid brings to modernist scholars' serious attention a large body of work that has often been glibly patronized and relegated to near-obscurity. Eliot's plays embody more significant connections than disruptions with the rest of his work, and are integrally related to the other elements of his oeuvre. Further, they contain a richly suggestive autobiographical vein that illuminates the persona and psyche of Eliot the playwright and, as well, throwbacks to Eliot as a younger poet and critic.-
Radical Stages
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Jekyll and Hyde Adapted
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Beyond Naturalism
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Synge and Irish Nationalism
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Reinventing Drama
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Greek Tragedy on the American Stage
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Challenging the Hierarchy
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Experimenters, Rebels, and Disparate Voices
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Technology in American Drama, 1920-1950
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The Critics' Canon
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Documentary Theatre in the United States
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Orson Welles on Shakespeare
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German Actors of the Eighteenth and Nineteenth Centuries
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Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994
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From Stanislavsky to Barrault
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David Hare
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Assessing the Achievement of J. M. Synge
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Vast Encyclopedia
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Actor as Anti-Character
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The Glamour of Grammar
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Shadows of Realism
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William Archer on Ibsen
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The Stage Clown in Shakespeare's Theatre
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Is the Theatre Still Dying?
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Musical Theatre in America
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The Contemporary British History Play
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The Theatre Team
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Yiddish Proletarian Theatre
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Fredric March
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Maria Irene Fornes and Her Critics
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Shakespearean Intertextuality
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Prophet of the New Drama
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The Theatre of Meyerhold and Brecht
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Tony Pastor Presents
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Dramatists and the Bomb
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Rethinking Folk Drama
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Thatcher's Theatre
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Ibsen and Early Modernist Theatre, 1890-1900
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The Dramatic Art of David Storey
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Strategies of Drama
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George Frederick Cooke
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American Labor on Stage
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Israel Horovitz
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Eugene O'Neill in China
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The Gymnasium of the Imagination
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The Simple Stage
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George Sand's Gabriel
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Comedy in the Weimar Republic
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Fathers and Daughters in Shakespeare and Shaw
RANDY MALAMUD is Assistant Professor of English at Georgia State University, where he teaches Modern Literature. He is the author of The Language of Modernism (1989) and T.S. Eliot's Drama: A Research and Production Sourcebook (Greenwood, 1992), as well as articles on Virginia Woolf, James Joyce, and other modern figures. He is currently working on an interdisciplinary study of modernism in literature and the other arts, as well as a cultural studies project about literary images of zoos.
| SKU | Unavailable |
| ISBN 13 | 9780313278181 |
| ISBN 10 | 0313278180 |
| Title | Where the Words Are Valid |
| Author | Randy Malamud |
| Series | Contributions In Drama And Theatre Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Bloomsbury Publishing Plc |
| Year published | 1994-12-30 |
| Number of pages | 224 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |