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Radical Stages
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Jekyll and Hyde Adapted
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Beyond Naturalism
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Synge and Irish Nationalism
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Reinventing Drama
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Greek Tragedy on the American Stage
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Challenging the Hierarchy
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Experimenters, Rebels, and Disparate Voices
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Technology in American Drama, 1920-1950
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The Critics' Canon
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Documentary Theatre in the United States
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Orson Welles on Shakespeare
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German Actors of the Eighteenth and Nineteenth Centuries
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Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994
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From Stanislavsky to Barrault
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David Hare
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Assessing the Achievement of J. M. Synge
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Vast Encyclopedia
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Actor as Anti-Character
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The Glamour of Grammar
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Shadows of Realism
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The Stage Clown in Shakespeare's Theatre
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Is the Theatre Still Dying?
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Musical Theatre in America
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The Contemporary British History Play
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The Theatre Team
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Yiddish Proletarian Theatre
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Fredric March
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Maria Irene Fornes and Her Critics
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Shakespearean Intertextuality
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Prophet of the New Drama
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The Theatre of Meyerhold and Brecht
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Tony Pastor Presents
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Dramatists and the Bomb
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Rethinking Folk Drama
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Thatcher's Theatre
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Where the Words Are Valid
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Ibsen and Early Modernist Theatre, 1890-1900
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The Dramatic Art of David Storey
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Strategies of Drama
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George Frederick Cooke
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American Labor on Stage
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Israel Horovitz
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Eugene O'Neill in China
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The Gymnasium of the Imagination
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The Simple Stage
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George Sand's Gabriel
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Comedy in the Weimar Republic
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Fathers and Daughters in Shakespeare and Shaw
cher /f William tlewait /f Thomas /r ed.
| SKU | Unavailable |
| ISBN 13 | 9780313244995 |
| ISBN 10 | 0313244995 |
| Title | William Archer on Ibsen |
| Author | Thomas Postlewait |
| Series | Contributions In Drama And Theatre Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Bloomsbury Publishing Plc |
| Year published | 1984-10-03 |
| Number of pages | 323 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |