
Lateness and Modernism by Sarah Collins
In the aftermath of World War I, a sense of impasse and thwarted promise shaped the political and cultural spheres in Britain. Writers such as D. H. Lawrence, Hilda Doolittle, T. S. Eliot and Wyndham Lewis were among the literary figures who responded by pursuing vividness, autonomy and impersonality in their work. Yet the extent to which these practices were reflected in ideas about music from within the same milieu has remained unrecognised. Uncovering the work of composer-critics who worked alongside these figures - including Philip Heseltine (Peter Warlock), Cecil Gray and Kaikhosru Sorabji - Sarah Collins traces the shared tendencies of literary and musical modernisms in interwar Britain. Collins explores the political investments underpinning these tendencies, as well as the influence of English Nietzscheanism and related intellectual currents, arguing that a particular conception of the self, history, and the public characterised an ethos of 'lateness' within this milieu.-
The Graph Music of Morton Feldman
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The Royal College of Music and its Contexts
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Stravinsky's Piano
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Prokofiev's Soviet Operas
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Yugoslav Avant-Garde Music, 1945–1991
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Music and Protest in 1968
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Musical Witness and Holocaust Representation
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Stravinsky and the Russian Period
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New Music at Darmstadt
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John Cage and David Tudor
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The Spectral Piano
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Britten's Unquiet Pasts
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Transformations of Musical Modernism
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French Music and Jazz in Conversation
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Music in Germany since 1968
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Schoenberg's Atonal Music
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Elliott Carter's Late Music
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Alan Bush, Modern Music, and the Cold War
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Performance Practice in the Music of Steve Reich
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John Cage and Peter Yates
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British Musical Modernism
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Schoenberg's Twelve-Tone Music
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Avant-Garde on Record
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Harrison Birtwistle's Operas and Music Theatre
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The Orchestral Music of Michael Tippett
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Luigi Dallapiccola and Musical Modernism in Fascist Italy
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Gerard Grisey and Spectral Music
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Ideology in Britten's Operas
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Peter Maxwell Davies, Selected Writings
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The Musical Language of Pierre Boulez
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Luigi Nono
'The concepts of lateness and modernism in early twentieth-century culture have both received voluminous critical attention in recent yearsBut here is an invigorating and sophisticated book which makes a highly distinctive and indeed provocative contribution. Neglected aspects of inter-war British musical and literary modernism receive long overdue scrutiny through virtuoso readings of the work of Philip Heseltine, Cecil Gray and Kaikhosru Sorabji. In short, essential, and thoroughly enjoyable reading.' Stephen Downes, Royal Holloway, University of London
Collins, Sarah: - Sarah Collins is a Senior Lecturer in musicology at the University of Western Australia. In 2017, she was a Visiting Fellow at Harvard University and a Marie Sklodowska-Curie Research Fellow at Durham University. Collins is the author of Lateness and Modernism (Cambridge, forthcoming) and The Aesthetic Life of Cyril Scott (2013). Her work has appeared in journals including the Journal of the Royal Musical Association, Twentieth-Century Music, Music & Letters and Musical Quarterly.
| SKU | Unavailable |
| ISBN 13 | 9781108481496 |
| ISBN 10 | 1108481493 |
| Title | Lateness and Modernism |
| Author | Sarah Collins |
| Series | Music Since 1900 |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Cambridge University Press |
| Year published | 2019-08-01 |
| Number of pages | 186 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






























