The Spectral Piano by Marilyn Nonken

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Summary

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Liszt, Scriabin and Debussy. In The Spectral Piano, Marilyn Nonken explores these shared fascinations and the parallels between the movement's contemporary aesthetics and psychological research.

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The Spectral Piano by Marilyn Nonken

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin, and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and G rard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but extended the aesthetic concerns of Liszt, Scriabin, and Debussy. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territioires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.
'Marilyn Nonken belongs to a generation of new music performers who bring subtlety, nuance and even humour to complex music; hers is the leading recording of the piano music of Tristan Murail, who is one of the composers featured in her new book, The Spectral [Piano]A great value of Dr Nonken's study is that she sets the Spectral movement in a wide historical context, going back indeed to Liszt and Scriabin; another that she demonstrates the influence of Murail and Gérard Grisey (together with their teacher Messiaen) on composers beyond France, arguing convincingly for the far-reaching influence and implications of Spectral concerns. What is particularly welcome is that here is a scholar whose writing carries particular authority, based as it is on her experience of understanding and communicating the music as its performer.' Peter Hill, University of Sheffield
'Marilyn Nonken's new book on spectral music for the piano is a screaming success … Few books can boast as much, and it is gratifying to encounter an international concert performer who can make so engaging a discourse around her core repertoire.' Bob Gilmore, Tempo
Marilyn Nonken is an international concertizing pianist, Associate Professor of Music and Music Education, and Director of Piano Studies at New York University's Steinhardt School of Culture, Education and Human Development. Her recordings and performances have been internationally reviewed, and her publications include forthcoming chapters in Perspectives on the Performance of French Piano Music and Messiaen Perspectives. A highly regarded musician, she has recorded the complete piano music of Tristan Murail: 'Complete Piano Music', and 'Voix Voilees: Spectral Piano Music', and piano music of Olivier Messiaen, Hugues Dufourt and Joshua Fineberg, and worked closely with Murail, Dufourt, Fineberg and Jonathan Harvey.
SKU Unavailable
ISBN 13 9781107018549
ISBN 10 1107018544
Title The Spectral Piano
Author Marilyn Nonken
Series Music Since 1900
Condition Unavailable
Binding Type Hardback
Publisher Cambridge University Press
Year published 2014-03-13
Number of pages 210
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.