Panier
Livraison gratuite
Nous sommes Neutres au Carbone

The Bloomsbury Introduction to Postmodern Realist Fiction Professor T.V. Reed (Washington State University, USA)

The Bloomsbury Introduction to Postmodern Realist Fiction par Professor T.V. Reed (Washington State University, USA)

The Bloomsbury Introduction to Postmodern Realist Fiction Professor T.V. Reed (Washington State University, USA)


€71.00
État - Très bon état
Disponible en seulement 1 exemplaire(s)

The Bloomsbury Introduction to Postmodern Realist Fiction Résumé

The Bloomsbury Introduction to Postmodern Realist Fiction: Resisting Master Narratives Professor T.V. Reed (Washington State University, USA)

Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.

The Bloomsbury Introduction to Postmodern Realist Fiction Avis

T.V. Reed is a formidable champion, both theoretically and in the realm of textual or cultural analyses, for the centrality of the referential function of aesthetic postmodernism. His Bloombury Introduction to Postmodern Realist Fiction exemplifies such critical efforts through its masterful and compelling presentation of this unique but less often elucidated or theorized dimension of the postmodern interventionary politics. By the example of his surveys and discussions, Reed shows convincingly why postmodern realist fiction-a mode of aesthetic experimentalism emerging out of the mid-1960s-is a representational instrument ideally suited for engaging the vital concerns of America's late capitalist culture, as well as for legitimizing subaltern struggles, voices, and aspirations. * Jinqi Ling, Professor of English, UCLA, USA *

À propos de Professor T.V. Reed (Washington State University, USA)

T.V. Reed is Buchanan Distinguished Professor Emeritus at Washington State University, USA. His recent books include The Art of Protest: Culture and Activism from the Civil Rights Movement to the Present (2019) and Digitized Lives: Culture, Power and Social Change in the Internet Era (2019). Reed also curates the web matrix culturalpolitics.net.

Sommaire

Acknowledgments A Note on Usage 1 Introduction Terminal Confusion Postmodernist Realism Is Postmodernism a Zombie? How to Use This Book 2 Postmodern Conditions and Postmodernist Styles Postmodern Economic, Political, and Social Conditions Postmodernist Aesthetic Approaches, Styles, and Techniques 3 Identities: Mysteries of the Self Deconstructing the Self: Kathy Acker's Don Quixote (1986) Detecting the Self: Jonathan Lethem's Motherless Brooklyn (1999) Hybrid Selves: Gloria Anzaldua's Borderlands/La Frontera (1987) Th e Abstract Self: Don DeLillo's Cosmopolis (2003) Th e Terrorized Self: Mohsin Hamid's The Reluctant Fundamentalist (2007) Self as Community: Toni Cade Bambara's The Salt Eaters (1980) The Selfless Self: Ruth Ozeki's A Tale for the Time Being (2013) 4 Bodies: Refl ective Surfaces and Fluid Borders Scripted Sex: Jeannette Winterson's Writing the Body (1993) Beauty and the Beastly Gaze: Jeffrey Eugenides's The Virgin Suicides (1993) Winged Delights: Angela Carter's Nights at the Circus (1984) Life Is a Freakshow: Katherine Dunn's Geek Love (1989) The Cyborg Body: Shelley Jackson's Patchwork Girl (1995) Oedipus Trans*: Daisy Johnson's Everything Under (2017) Body as Multitude: Akwaeki Emezi's Freshwater (2018) 5 Postmodern Families: Reimagining Kinship Consuming Families: Don DeLillo's White Noise (1985) Family as Talk-Story: Maxine Hong Kingston's The Woman Warrior (1976) Postmodern Matriarchy: Ana Castillo's So Far from God (1993) Family Curses and Geek Masculinity: Junot Diaz's The Brief Wondrous Life of Oscar Wao (2008) Kinship and Lost Time: Jennifer Egan's A Visit from the Good Squad (2010) Indigenous Gothic, Sasquatch, and Community as Family: Eden Robinson's Monkey Beach (2000) 6 (meta)Histories: The Past as Present Chained to History: Toni Morrison's Beloved (1987) Of Butterfl ies and Dictators: Julia Alverez's In the Time of the Butterfl ies (1994) Unstuck in Time: Kurt Vonnegut's Slaughterhouse Five (1969) Neo-Hoodoo History: Ishmael Reed's Mumbo Jumbo (1972) Challenging Dead-eye Dog: Leslie Silko's Almanac of the Dead (1999) 7 Re-Visions: Novels Rewriting Novels Decolonizing the Literary Past: Jean Rhys's Wide Sargasso Sea (1966) Globalizing the Past: Bharati Mukherjee's The Holder of the World (1993) Sacred Revisions: Salman Rushdie's The Satanic Verses (1988) Re-envisioning the Postmodern University: A. S. Byatt's Possession (1990) Dark Hearts: Jessica Hagedorn's Dream Jungle (2003) Reds, Whites, and Reservation Blues: Sherman Alexie's Lone Ranger and Tonto Fistfight in Heaven (1993) 8 True Lies: Nonfiction Novels and Autofictions Empire's Tracks: Maxine Hong Kingston's China Men (1980) History as a Novel, the Novel as History: Norman Mailer's Armies of the Night (1968) Historical Sideshow: Brian Fawcett's Cambodia: A Book for People Who Find Television Too Slow (1986) Graphic Trauma: Art Spiegelman's Maus (1986) Crude Awakenings: Olivia Laing's Crudo (2018) 9 Displacements: Exiles, Diasporas, and Returns Foreigners in Their Own Land: Tommy Orange's There There (2018) Migrant Doors of Reception: Mohsin Hamid's Exit West (2017) An Epidemic of Displacements: Rabih Alamenddine's Koolaids: Th e Art of War (1998) Exiled to Home: Chimamanda Ngozi Adichie's Americanah (2013) 10 Futures? Digital Dangers and Climate Crises Multi-mediated Horror: Mark Z. Danielewski's House of Leaves (2000) Decoding Capitalism: Scarlett Th omas's PopCo (2014) Engendering the Future: Jeanette Winterson's Frankissstein (2019) Afrojujuism: Nnedi Okorafor's Lagoon (2014) Postcolonial Outer Space: Rosario Sanchez and Beatrice Pita's Lunar Braceros (2009) Surveillance States, Biotech, and Climate Crises: Margaret Atwood's MaddAddam Trilogy (2003, 2009, 2013) Notes Bibliography Index

Informations supplémentaires

GOR011814943
9781350010802
1350010804
The Bloomsbury Introduction to Postmodern Realist Fiction: Resisting Master Narratives Professor T.V. Reed (Washington State University, USA)
Occasion - Très bon état
Broché
Bloomsbury Publishing PLC
20210422
288
N/A
La photo du livre est présentée à titre d'illustration uniquement. La reliure, la couverture ou l'édition réelle peuvent varier.
Il s'agit d'un livre d'occasion - par conséquent, il a été lu par quelqu'un d'autre et il présente des signes d'usure et d'utilisation antérieure. Dans l'ensemble, nous nous attendons à ce qu'il soit en très bon état, mais si vous n'êtes pas entièrement satisfait, veuillez prendre contact avec nous.