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Othello Virginia Mason Vaughan (Clark University, Massachusetts)

Othello par Virginia Mason Vaughan (Clark University, Massachusetts)

Othello Virginia Mason Vaughan (Clark University, Massachusetts)


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Résumé

This study is a major exercise in the historicization of Othello in which the author examines contemporary writings and their influence on the text. Subsequent chapters analyse representations and interpretations from the Restoration to the present. Othello is revealed as part of a continuing cultural history.

Othello Résumé

Othello: A Contextual History Virginia Mason Vaughan (Clark University, Massachusetts)

Shakespeare's Othello has exercised a powerful fascination over audiences for centuries with its portrayal of destructive jealousy. This study is a major exercise in the historicisation of Othello in which the author examines contemporary writings and demonstrates how they were embedded in the text of Othello: discourse about conflict between Turk and Venetian treatises on the professionalisation of England's military forces, representations of Africans and blackamoors, and narratives depicting jealous husbands. The second section traces Othello's history in England and the United States from the Restoration to the late 1980s, using illustrations where appropriate. Each chapter highlights a specific historical period, actor or production to demonstrate how and why elements from Shakespeare's text were emphasised or repressed. Othello is revealed as a significant shaper of cultural meaning.

Othello Avis

'... as a nuanced and selective work of Shakespearian scholarship, Othello: a Contextual History is a substantial achievement. Vaughan uses her previous bibliographical and editorial work to fine effect, compiling rare illustrations, opening up some new perspectives ... and establishing the mechanisms whereby the play makes and is made by diverse cultural meanings and attitudes'. Theatre Research International
Othello: a Contextual History represents a genuinely new way of doing Shakespeare studies; a synthesis of performance and context histories that works only because so intelligently and compellingly historicised. It will be deeply influential.' Meridian

Sommaire

Introduction; Part I. Jacobean Contexts: 1. Global discourse: Venetians and Turks; 2. Military discourse: knights and mercenaries; 3. Racial discourse: black and white; 4. Marital discourse: husbands and wives; Part II. Representations: 5. Othello in Restoration England; 6. Amateur versus professional: the Delaval Othello; 7. William Charles Macready and the domestic Othello; 8. Salvini, Irving, and the dissociation of intellect; 9. 'The Ethiopian Moor': Paul Robeson's Othello; 10. Orson Welles and the patriarchal eye; 11. Othello for the 1990s: Trevor Nunn's 1989 Royal Shakespeare Company production; Conclusion.

Informations supplémentaires

GOR006311390
9780521587082
0521587085
Othello: A Contextual History Virginia Mason Vaughan (Clark University, Massachusetts)
Occasion - État d'usage
Broché
Cambridge University Press
19961205
260
N/A
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