The 'do-it-yourself' artwork by Anna Dezeuze
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' The volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part I addresses the emergence of spectator participation in the 1960s, while Part I brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part I map out a range of theoretical approaches to the 'do-it-yourself' artwork. Together, the three sections provide invaluable historical perspectives and theoretical tools for scholars, students, artists and readers interested in contemporary art. Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.-
After-affects | after-images
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Otherwise
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Performance Art and Revolution
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Engendering an Avant-Garde
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Colouring the Caribbean
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Art + Archive
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Performance art in Eastern Europe since 1960
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I am Jugoslovenka!
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The Matter of Miracles
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Art, Museums and Touch
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Multiple and One
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Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania
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Counter-realism
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Caribbean eco-aesthetics
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Contemporary art and ecological transformation in East and Southeast Asia
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Marks she made
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Abnormal peripheries
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Lesbian bones
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Walking with the enemy
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Photographic afterlives
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Taking place
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Feminist substances
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The art of decolonisation
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Above Sea
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Vertiginous Mirrors
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Women, the Arts and Globalization
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Productive Failure
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Bound Together
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Architecture and Ekphrasis
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There is No Soundtrack
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Staging Art and Chineseness
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The Ecological Eye
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The Paradox of Body, Building and Motion in Seventeenth-Century England
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Photography and Documentary Film in the Making of Modern Brazil
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The Synthetic Proposition
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Art, Global Maoism and the Chinese Cultural Revolution
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The Face of Medicine
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Gender, Artwork and the Global Imperative
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Flesh Cinema
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Horizontal Together
Anna Dezeuze is an independent scholar
| SKU | Unavailable |
| ISBN 13 | 9780719087479 |
| ISBN 10 | 0719087473 |
| Title | The 'do-it-yourself' artwork |
| Author | Anna Dezeuze |
| Series | Rethinking Art's Histories |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Manchester University Press |
| Year published | 2012-05-30 |
| Number of pages | 328 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |