
Productive Failure by Alpesh Kantilal Patel
This title sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. The author examines 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. This book also provides original commentary on how queer theory can deconstruct and provide new approaches for writing art history. Overall, this title provides methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.-
After-affects | after-images
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Otherwise
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The 'do-it-yourself' artwork
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Performance Art and Revolution
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Engendering an Avant-Garde
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Colouring the Caribbean
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Art + Archive
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Performance art in Eastern Europe since 1960
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I am Jugoslovenka!
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The Matter of Miracles
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Art, Museums and Touch
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Multiple and One
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Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania
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Counter-realism
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Caribbean eco-aesthetics
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Contemporary art and ecological transformation in East and Southeast Asia
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Marks she made
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Abnormal peripheries
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Lesbian bones
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Walking with the enemy
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Photographic afterlives
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Taking place
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Feminist substances
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The art of decolonisation
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Above Sea
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Vertiginous Mirrors
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Women, the Arts and Globalization
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Bound Together
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Architecture and Ekphrasis
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There is No Soundtrack
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Staging Art and Chineseness
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The Ecological Eye
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The Paradox of Body, Building and Motion in Seventeenth-Century England
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Photography and Documentary Film in the Making of Modern Brazil
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The Synthetic Proposition
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Art, Global Maoism and the Chinese Cultural Revolution
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The Face of Medicine
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Gender, Artwork and the Global Imperative
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Flesh Cinema
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Horizontal Together
‘…advances an original , rigorously self-reflexive, and provocative argument for the formulation of a New South Asian Art History conceived through the lens of queer theory and queer subjectivities’
Margo Machida, Professor Emerita, University of Connecticut
‘Wide ranging in his historical and methodological investments, Patel is modelling a new kind of art history, notable less for temporal and/or geographical coherence than for its sophisticated critical approach.’
Jonathan D. Katz, Associate Professor, University at Buffalo, SUNY
‘Patel is a person through whose eyes one learns to see anew with one’s own.’
Donald Preziosi, Distinguished Research Professor and Professor Emeritus, University of California, Los Angeles
‘In his provocative engagement with queer subjectivities, Patel’s intervention does not only create new potentialities for the study of South Asian Art, but he also proposes an urgently needed reimagining of art historical methodology.’
Derek Conrad Murray, Associate Professor of Modern and Contemporary Art, University of California, Santa Cruz
‘Patel’s project calls attention to neglected histories, while simultaneously dismantling the processes of circumscribing identity-based discourses via axiomatic, geographic, and appearance-based methods of determining belonging. At the heart of the book is a desire to call attention to how we each exist in a mobile, intersectional zone at the crux of various identity categories and ideologies. Throughout the text, Patel demonstrates how imperative it is for scholars to articulate our situatedness, not only for the sake of transparency, but because it enriches cross-cultural, interdisciplinary exchange and highlights issues around cultural translation. Patel’s reworking of the discursive framing of canon formation is a significant intervention not only within South Asian art, but also for art history, visual studies, and conceptions of identity more broadly. Patel’s commitment to transparent, intersectional, hybrid, adaptable, self-reflexive, and critically engaged methods models much-needed interventions into art history, visual studies, and discourses of identity.’
Ace Lehner, Art Journal (Winter 2018)
'Alpesh Kantilal Patel’s Productive Failure: Writing Queer Transnational South Asian Art Histories is a valuable contribution to this growing body of literature that attempts to expand the parameters of art history and its constituent subfields, employing “affirmative criticality” and “productive failure” as methods to produce a more ethical, entangled, and transparent practice of writing (art) history.'
CAA Reviews
'The book reads not only as a strong collection of unwritten narratives, but also as a critique of art history’s exclusion and tokenization of artists of South Asian descent. The organization of the book prepares the audience with theories to rethink their own understanding of the production of art histories. One of the strengths of the book is the intimacy of the narration. Patel is aware of the limited reach of his academic language and makes challenging theoretical discussions accessible through his use of tone, through which readers can feel as if they were having a casual conversation with a close friend.'
Asian Diasporic Visual Cultures and the Americas
| SKU | Unavailable |
| ISBN 13 | 9781526132529 |
| ISBN 10 | 1526132524 |
| Title | Productive Failure |
| Author | Alpesh Kantilal Patel |
| Series | Rethinking Art's Histories |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Manchester University Press |
| Year published | 2018-06-07 |
| Number of pages | 272 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































