Otherwise by Amelia Jones
Otherwise: Imagining queer feminist art histories is the first book to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by providing a range of chapters by key North American and European scholars, both emerging and established, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach.-
After-affects | after-images
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The 'do-it-yourself' artwork
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Performance Art and Revolution
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Engendering an Avant-Garde
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Colouring the Caribbean
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Art + Archive
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Performance art in Eastern Europe since 1960
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I am Jugoslovenka!
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The Matter of Miracles
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Art, Museums and Touch
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Multiple and One
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Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania
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Counter-realism
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Caribbean eco-aesthetics
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Contemporary art and ecological transformation in East and Southeast Asia
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Marks she made
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Abnormal peripheries
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Lesbian bones
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Walking with the enemy
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Photographic afterlives
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Taking place
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Feminist substances
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The art of decolonisation
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Above Sea
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Vertiginous Mirrors
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Women, the Arts and Globalization
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Productive Failure
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Bound Together
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Architecture and Ekphrasis
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There is No Soundtrack
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Staging Art and Chineseness
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The Ecological Eye
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The Paradox of Body, Building and Motion in Seventeenth-Century England
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Photography and Documentary Film in the Making of Modern Brazil
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The Synthetic Proposition
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Art, Global Maoism and the Chinese Cultural Revolution
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The Face of Medicine
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Gender, Artwork and the Global Imperative
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Flesh Cinema
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Horizontal Together
‘…the volume as a whole makes a compelling case for more queer feminist art histories…the essays and dialogues range over twentieth-century and contemporary art and curatorial practice as well as theory, enacting a vibrant debate over queer feminism—its possibilities, challenges, and place in the visual arts and the academy’
Alison Syme, CAA Reviews
Amelia Jones is Robert A. Day Professor of Art and Design and Vice Dean of Critical Studies at the Roski School of Art and Design, University of Southern California
Erin Silver is Assistant Professor of Art History a the University of British Columbia
| SKU | Unavailable |
| ISBN 13 | 9780719096426 |
| ISBN 10 | 0719096421 |
| Title | Otherwise |
| Author | Amelia Jones |
| Series | Rethinking Art's Histories |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Manchester University Press |
| Year published | 2015-12-01 |
| Number of pages | 424 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |