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E. E. Cummings' Modernism and the Classics by J Alison Rosenblitt
This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet. The book also includes an edition of previously unpublished work by Cummings himself, unearthed from archival research. For the first time, the reader has access to the full scope of Cummings' translations from Horace, Homer, and Greek drama, as well as two short pieces of classically-related prose, a short 'Alcaics' and a previously unknown and classicizing parody of T. S. Eliot's The Waste Land. This new work is exciting in its own right and essential to understanding Cummings' development as a poet.-
Laughing with Medusa
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Stand in the Trench, Achilles
- Sophocles' Antigone in Early Modern English Drama
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Greek Tragedy on Screen
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Modernist Women and the Greek Chorus
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The Living Death of Antiquity
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Latin Américan Antígonas: An Anthology of Seven Translated Plays
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Classics and Media Theory
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Fragmentary Modernism
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Greek Fragments in Postmodern Frames
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Childhood and the Classics
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David Jones and Rome
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Roman Receptions of Sappho
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The Irish Classical Self
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Madly after the Muses
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Richard Aldington's Modernist Antiquity
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Beyond Greece and Rome
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Between Jerusalem and Athens
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The Other Virgil
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Hegel's Antiquity
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Women Classical Scholars
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Topologies of the Classical World in Children's Fiction
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Travel and Home in Homer's Odyssey and Contemporary Literature
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Ancient Rome and Victorian Masculinity
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Postdramatic Tragedies
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Virgil and his Translators
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Ovid's Presence in Contemporary Women's Writing
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Diversifying Greek Tragedy on the Contemporary US Stage
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Homer's Daughters
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Son of Classics and Comics
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Film and the Classical Epic Tradition
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Athens in Paris
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Remembering Parthenope
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Romans and Romantics
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Classics and Comics
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The Senecan Aesthetic
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Classical Traditions in Science Fiction
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Homer and the Politics of Authority in Renaissance France
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Crossroads in the Black Aegean
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Milton and the Metamorphosis of Ovid
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Lucretius and the Early Modern
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The Nation and its Ruins
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Victorian Women Writers and the Classics
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The Classics and Colonial India
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Sciences of Antiquity
The extent of the bibliography is really impressiveRosenblitt offers a rich discussion of Cummings and his poetry, and the influence of Classics on both. Overall, it is a fine and interesting book.
J. Alison Rosenblitt trained as an ancient historian and has published both in the field of Roman history and in the field of classical reception. As an historian, she studies ancient historiography (especially Sallust), late republican political history, and Roman oratory. On the classical reception side, she is interested in the poetry of the Great War and in early modernism and its relationship to the classics. She specializes in E.E. Cummings, whose relationship to the classical past is provocative and disobedient. Dr Rosenblitt took a double first in Ancient and Modern History at Wadham College, Oxford, with academic prizes, and completed her D.Phil. at Balliol College, Oxford. She has been a lecturer at various Oxford colleges and was a Junior Research Fellow at Somerville College, Oxford.
| SKU | Unavailable |
| ISBN 13 | 9780198767152 |
| ISBN 10 | 0198767153 |
| Title | E. E. Cummings' Modernism and the Classics |
| Author | J Alison Rosenblitt |
| Series | Classical Presences |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press |
| Year published | 2016-09-29 |
| Number of pages | 394 |
| Prizes | Winner of Joint Winner of the 2018 First Book Award, Classical Association of the Midwest and South. |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































