
Postdramatic Tragedies by Emma Cole
Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.-
Laughing with Medusa
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Stand in the Trench, Achilles
- Sophocles' Antigone in Early Modern English Drama
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E. E. Cummings' Modernism and the Classics
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Greek Tragedy on Screen
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Modernist Women and the Greek Chorus
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The Living Death of Antiquity
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Latin Américan AntÃgonas: An Anthology of Seven Translated Plays
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Classics and Media Theory
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Fragmentary Modernism
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Greek Fragments in Postmodern Frames
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Childhood and the Classics
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David Jones and Rome
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Roman Receptions of Sappho
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The Irish Classical Self
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Madly after the Muses
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Richard Aldington's Modernist Antiquity
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Beyond Greece and Rome
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Between Jerusalem and Athens
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The Other Virgil
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Hegel's Antiquity
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Women Classical Scholars
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Topologies of the Classical World in Children's Fiction
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Travel and Home in Homer's Odyssey and Contemporary Literature
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Ancient Rome and Victorian Masculinity
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Virgil and his Translators
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Ovid's Presence in Contemporary Women's Writing
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Diversifying Greek Tragedy on the Contemporary US Stage
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Homer's Daughters
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Son of Classics and Comics
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Film and the Classical Epic Tradition
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Athens in Paris
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Remembering Parthenope
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Romans and Romantics
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Classics and Comics
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The Senecan Aesthetic
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Classical Traditions in Science Fiction
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Homer and the Politics of Authority in Renaissance France
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Crossroads in the Black Aegean
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Milton and the Metamorphosis of Ovid
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Lucretius and the Early Modern
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The Nation and its Ruins
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Victorian Women Writers and the Classics
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The Classics and Colonial India
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Sciences of Antiquity
The book is engaging in its descriptions of these performances and is well-versed in the scholarship of both the postdramatic and the classical materials and their adaptations* Peter A. Campbell, Project Muse *
...the book deserves to be essential reading for those interested in the postdramatic, the tragic, and classical reception more broadly * David Bullen, New Theatre Quarterly *
The volume has much to recommend it both for theatre historians and for those whose focus is on the contemporary reception of ancient drama. * Emma Bridges and Henry Stead, Greece & Rome *
...the book deserves to be essential reading for those interested in the postdramatic, the tragic, and classical reception more broadly * David Bullen, New Theatre Quarterly *
The volume has much to recommend it both for theatre historians and for those whose focus is on the contemporary reception of ancient drama. * Emma Bridges and Henry Stead, Greece & Rome *
Emma Cole is a Lecturer in Liberal Arts and Classics at the University of Bristol. She received her doctorate from UCL in 2015 and since then has published widely on the reception of Greek and Roman literature (primarily tragedy and epic) in contemporary theatre, including the co-edited collection Adapting Translation for the Stage (with Geraldine Brodie; Routledge, 2017), and chapters and articles on the work of Katie Mitchell (2015), Martin Crimp (2016), and Sarah Kane (2017). From 2019-2021 she is completing an AHRC leadership fellowship, during which she will undertake a project investigating immersivity and the classics with a focus on British theatre company Punchdrunk.
| SKU | Unavailable |
| ISBN 13 | 9780198817680 |
| ISBN 10 | 0198817681 |
| Title | Postdramatic Tragedies |
| Author | Emma Cole |
| Series | Classical Presences |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press |
| Year published | 2019-11-12 |
| Number of pages | 336 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































