
The Senecan Aesthetic by Helen Slaney
Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day: plundered for neo-Latin declamation and seeping into the blood-soaked revenge tragedies of Shakespeare's contemporaries, seasoned with French neoclassical rigour, and inflated by Restoration flamboyance. In the mid-eighteenth century, the pincer movement of naturalism and philhellenism began to squeeze Seneca off the stage until August Wilhelm Schlegel's shrill denunciation silenced what he called its 'frigid bombast'. The Senecan aesthetic, repressed but still present, staged its return in the twentieth century in the work of Antonin Artaud, who regarded Seneca as 'the greatest tragedian of history'. This volume restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled, and in doing so reveals how theory, practice, and scholarship have always been interdependent and inseparable.-
Laughing with Medusa
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Stand in the Trench, Achilles
- Sophocles' Antigone in Early Modern English Drama
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E. E. Cummings' Modernism and the Classics
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Greek Tragedy on Screen
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Modernist Women and the Greek Chorus
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The Living Death of Antiquity
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Latin Américan Antígonas: An Anthology of Seven Translated Plays
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Classics and Media Theory
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Fragmentary Modernism
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Greek Fragments in Postmodern Frames
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Childhood and the Classics
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David Jones and Rome
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Roman Receptions of Sappho
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The Irish Classical Self
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Madly after the Muses
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Richard Aldington's Modernist Antiquity
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Beyond Greece and Rome
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Between Jerusalem and Athens
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The Other Virgil
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Hegel's Antiquity
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Women Classical Scholars
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Topologies of the Classical World in Children's Fiction
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Travel and Home in Homer's Odyssey and Contemporary Literature
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Ancient Rome and Victorian Masculinity
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Postdramatic Tragedies
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Virgil and his Translators
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Ovid's Presence in Contemporary Women's Writing
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Diversifying Greek Tragedy on the Contemporary US Stage
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Homer's Daughters
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Son of Classics and Comics
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Film and the Classical Epic Tradition
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Athens in Paris
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Remembering Parthenope
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Romans and Romantics
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Classics and Comics
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Classical Traditions in Science Fiction
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Homer and the Politics of Authority in Renaissance France
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Crossroads in the Black Aegean
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Milton and the Metamorphosis of Ovid
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Lucretius and the Early Modern
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The Nation and its Ruins
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Victorian Women Writers and the Classics
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The Classics and Colonial India
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Sciences of Antiquity
In addition to offering 'traditional' classicists -- that is to say, for the most part, readers of Seneca -- a new interpretative approach to the tragedies, this volume should also constitute a signifcant contribution to classical performance reception studies* Emma Buckley, Language and Literature *
Remarkable and very appreciable ... is the effort to renew the study of the senequista theater and its successors and force the reader to value otherwise certain phenomena already well known as rhetoric pathetic, the metatheality and also the dynamic structure that drives to the Senecan characters of the furor al scelus nefas (the monstrous crime). ... Undoubtedly, his greatest achievement consists in proposing, from Seneca, a diachronic reflection on the essence of the theater that goes beyond the aesthetic framework to interrogate also their anthropological foundations. * Florence d'Artois, Bulletin of the Comediantes *
a welcome addition to the growing body of work on the reception of Senecan tragedy and the plays' performance history ... Slaney provides an excellent history of the reception of Senecan drama since the early modern period. She is particularly sensitive to how complex this history is, especially during periods when Seneca was officially out of favour. * Christopher Star, Classical Journal Online *
Remarkable and very appreciable ... is the effort to renew the study of the senequista theater and its successors and force the reader to value otherwise certain phenomena already well known as rhetoric pathetic, the metatheality and also the dynamic structure that drives to the Senecan characters of the furor al scelus nefas (the monstrous crime). ... Undoubtedly, his greatest achievement consists in proposing, from Seneca, a diachronic reflection on the essence of the theater that goes beyond the aesthetic framework to interrogate also their anthropological foundations. * Florence d'Artois, Bulletin of the Comediantes *
a welcome addition to the growing body of work on the reception of Senecan tragedy and the plays' performance history ... Slaney provides an excellent history of the reception of Senecan drama since the early modern period. She is particularly sensitive to how complex this history is, especially during periods when Seneca was officially out of favour. * Christopher Star, Classical Journal Online *
Helen Slaney is British Academy Postdoctoral Fellow in Classics at St Hilda's College, Oxford.
| SKU | Unavailable |
| ISBN 13 | 9780198736769 |
| ISBN 10 | 0198736762 |
| Title | The Senecan Aesthetic |
| Author | Helen Slaney |
| Series | Classical Presences |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press |
| Year published | 2015-12-10 |
| Number of pages | 336 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































